And that patchwork effect is one that mirrors the nature of the show itself. Conceived by Kyle Riabko and David Lane Seltzer, Close To You offers up fresh reinterpretations of Burt Bacharach’s considerable songbook but rather than a straight set of song after song, the material is woven into a rich tapestry of medleys, repeated refrains, lyrical connections and snatches of melodies – an audacious reimagining but one that is hugely effective as it acts as a reminder of the extraordinary body of work Bacharach has composed with lyricist Hal David among others.
Steven Hoggett’s direction captures much of this fresh, contemporary feel with hints of his customary flowing choreography threaded through the performance, bathed in the wonderfully warm glow of Tim Lutkin’s lighting design with its myriad lampshades. And though there’s no formal narrative in the show, there’s always a strong impression of the stories behind the songs by the vastly talented company of singing multi-instrumentalists led by Riabko – Daniel Bailen, Greg Coulson, Anastacia McCleskey, Stephanie McKeon, Renato Paris, and James Williams.
And what songs they are, more than 30 appear with tunes like ‘Alfie’, ‘Anyone Who Had a Heart’, ‘Walk On By’, ‘Raindrops Keep Falling On My Head’, and ‘Magic Moments’ to name but a few. And Riabko gives them a fresh infusion of life here, respectful but reinvigorating as ‘I Say A Little Prayer’ gets a little funky, ‘I’ll Never Fall in Love Again’ becomes a touching male duet of forlorn hope, ‘Magic Moments’ sparkles as if enchanted, ‘Don’t Make Me Over’ transform into a scorching torch song. The genius of Close To You Bacharach Reimagined is to remind not just how good his song-writing is but also to demonstrate how timeless his musical gifts are.