“Is everything alright Patrick?”
Third time round for this show, so little to add to my original review
and then the subsequent brief re-review
. One of my new year’s resolutions is to embrace seeing the shows I love more than once – there’s so much theatre in London and beyond that it has often felt like a crime to view things again rather than going to see something new and though that hasn’t changed, the joy of rewatching things recently has been particularly great. In that spirit, when a random cheap ticket popped up on the Almeida’s website, the prospect of seeing American Psycho again was irresistible.
Some pieces of theatre impress with the depth of their profundity, whilst others glisten with their immediacy, and American Psycho
most definitely fits into the latter category. It’s almost like an extended music video with its 80s pop score, extraordinary visual impact and kinetic choreography (I’m on the lookout for a club in which people actually do that ‘hands in the air’ dancing) and the fast-moving pace of Rupert Goold’s production means its thrills are akin to the rush of a rollercoaster and for me, endlessly reconsumable.
Running time: 2 hours 40 minutes (with interval)
Programme cost: £5, and worth the purchase for its great content
Booking until 1st February, run sold out but day tickets and there’s often returns available on the website, checking late at night works
Labels: Ben Aldridge, Cassie Compton, Duncan Sheik, Gillian Kirkpatrick, Holly Dale Spencer, Holly James, Hugh Skinner, Jonathan Bailey, Katie Brayben, Matt Smith, Roberto Aguirre-Sacasa, Susannah Fielding, Tom Kay