Best Supporting Actor in a Play
Taking on as famous a role as Nick Bottom has plenty of pitfalls, but Pearce Quigley fearlessly took up the challenge in Dominic Dromgoole’s revelatory and riotous production at the Globe and delivered a wittily sardonic Bottom that made him one of the most comic parts of one of the funniest productions of the year.
Due to the randomness of the design of the first act, it was pure chance that my first encounter at Toneelgroep Amsterdam’s Scenes from a Marriage was with Fernhout and Hadewych Minis’ version of Johan and Marianne. But from the very first moments, his intensity sucked us right in whilst the twinkle in his eye (plus his predilection for mingling in amongst the audience) made him a hugely magnetic presence.
Best Supporting Actor in a Musical
Though his rugged charms are undeniable, Orton more than earned his place here in the delightful actor-musician production of Howard Goodall’s The Hired Man that graced Colchester and Leicester. A compellingly masculine presence as the flirtatious Jackson and beautifully-voiced throughout, he also revealed himself to be a dab hand on the fiddle, demonstrating all the strings to his bow.
Across a sterling ensemble, Matus’ huge geniality as fixer Max Detweiler was a highlight in the Open Air Theatre’s excellent The Sound of Music, his avuncular charm a pleasure to watch and a great way to subtly reinvent the role for himself.
Labels: Alexander Vlahos, Andy Rush, Ben Aldridge, Christian Dante White, fosterIANs, Gary Wood, Jeff Rawle, Kane Oliver Parry, Kit Orton, Michael Matus, Pearce Quigley, Richard McCabe, Roeland Fernhout