"Livin' for the moment's rewards"
I did like Nadim Naaman's first album We All Want The Same but with its compositions stretching over a decade of Naaman's songwriting, it didn't quite have the cohesion to show off his emerging talents. For his second CD though, he's gone all-out to demonstrate the depths of both sides to him as a musician - opting for a double-length album, half the songs are musical theatre numbers which have received his own spin, and the other half are original songs written over the last year. Thus Sides reaches with larger ambition, and succeeds.
Naaman has a marvelous showman quality to his voice but it's beautiful to hear him bring out all the colours he can - the sense of building excitement in The Hunchback of Notre Dame's 'Out There', the driving, the driving swagger of The Fix's One, Two, Three complemented by its tenderly heartfelt break. A jaunty 'Moving Too Fast' sees him looking back to one of his first professional roles as The Last Five Years' Jamie whereas his current gig - Raoul in The Phantom of the Opera - is acknowledged with a startling but hugely effective Latin-inflected treatment of its title song, accompanied by the glorious richness of Celinde Schoenmaker's voice.